Our black-masked Phantom is a rather dark character, physically and mentally. Various colors are used in different ways throughout The Phantom of the Opera. What’s the symbolism behind them? The primary colors in various versions are black, white, pink, red and yellow.
People associate color with two things, natural and psychological reactions.
Naturally we associate black with night and darkness. Psychologically black is the evil color, the color of villains in old westerns, the color of Death and bad omens. Black expresses the unknown and the underworld where daylight does not reach… just like in Leroux and Erik’s lair. Black can represent bad luck or misfortune. Across the various versions, black is prevalent in Phantom. Leroux lets the reader know how steeped in death Erik is and at one point writes that people shouted at Erik: “There goes the Grim Reaper.” We see Erik in his black mask and funeral clothing depicting him as a shadowy figure and the anti-hero. Black, in conjunction with Erik, is a color to instill suspicion, fear and mistrust.
White is naturally seen as light. Psychologically it evokes purity, cleanliness and a soul passing to heaven. White becomes our hero-unscathed and perfect. In Webber’s 2004 movie version of Phantom, Raoul dashes off in a white shirt upon a white horse to save Christine– a blatant cliché if I ever saw one. In Leroux, Raoul wears the white domino, showing the reader not his heroism, but his innocence and sexual naivety. Erik and Christine are the ones wearing the manipulative and menacing black.
Red draws our mind toward many things, love, passion, blood, infatuation. Red symbolizes strong emotions such as excitement, strength, danger, and aggression. I love the use of infatuation here in terms of Leroux as Erik was driven by this emotion-not love. We lean toward passion as it relates to death in the original novel. Think of Erik as the Red Death and the red brocade fabric surrounding his coffin and the stave of the Dies Irae. These things connected to death make us discontent and passionate. In Webber we see it mostly in terms love. Think of all those red roses Erik leaves…
Yellow we naturally associate with heat, sun, etc. Psychologically, like with green, we lean toward gold and wealth. It can symbolize optimism and idealism verses dishonesty, cowardice, deceit, illness, and hazard. In Phantom, yellow can be seen as the ‘other’ color; the color that represents the outside world of Erik and one that makes him an outcast among nobles. His yellow skin is associated with oriental themes prevalent during Leroux’s time making Erik and outcast among a ‘normal’ population.
Pink… Webber shoved that down our throats! (The flowers in the dressing room, all of Christine’s pink dresses, etc) Pink is automatically associated with girls, though it was used for boys for centuries. Pink is the color of innocence, good health and good life. Think of the term ‘tickled pink’ and the hue brought to faces when we laugh or blush. It is symbolic of sexual innocence, something Webber wanted to drive forth in the theme of Christine v. Erik, as well as ‘pure love’.
Opening chapter rule number one: Grab your reader’s attention.
“It is a truth universally acknowledged that a single blog in possession of a good author, must be in want of an audience.”
Rule number two: Ground the reader in your setting.She picked her way across the drawing room. The fluttering of her fan drown out the ball as she tried to extinguish the fire on her cheeks yet to burn out from his kiss. The satin skirts of her ball gown rumpled in her hand as she crept about the room, not so as not to trip over her too-swollen feet, but because she didn’t want to wake the snoring loaf of bread on the settee.
Rule number three: Intrigue the reader with an interesting character.
Why couldn’t the duchess have a cat? Cats don’t care who crept into rooms after forbidden kisses. They wouldn’t give a fig if her aching feet made her trip over the rug and fall on her nose. They’d purr and yawn then expect a better performance next time around. But the pug… the pug was always there, stubby legs tucked under his fat body, his already smashed in face rammed down into a pillow. That dog was a sentry of enormous proportions, ready to wake at the sound of a clementine being unpeeled, let alone her attempts at fanning away the evidence of a tryst on her face.
Rule number four: Give the reader a puzzle to solve.
Don’t wake up the dog. Don’t wake up the dog. Don’t wake up the dog. Don’t wake up… Eventually she’d stop repeating that, but eventually wasn’t good enough with Lord Delaford on her heels.
There was nothing to do but ride the sequence out. Anxiety wrapped tight bands around her chest, making it difficult to breathe. Well, who needed air, really? Lord Delaford would only steal her breath anyway…
Rule number five: Always keep them reading.
Welcome to the first blog post on my new website. My old site was redesigned in anticipation of my new releases, so I am glad you found your way here. Sorry, this is not a blog about creating a compelling opening chapter, although the four steps above pretty much cover how you do it. I’ll be blogging from time to time about anything that strikes my fancy be it the writing process, the stranger sides of the Regency and Victoria eras, or life as a romance writing single mom.* I love hearing from my readers and eager new writers! I hope you’ll keep coming back.